Like the new-age adage, the only thing that
remains the same is that everything changes, so too, does the shade of
prairie blue.
"Each of us interprets a song as we see fit, so it
may sound different from the time before, but that's the way it's going to
sound today. We're not restricted by having to play note by note
and, for a lot of musicians, that's very liberating," explains Terry
Tkatchuk, songwriter for the Pace Hill Band. Terry finds inspiration
for his lyrics in the open-ended book of real life experiences.
Whether from his reading on life or citing excerpts from
those he has studied by observing and talking with other people, each
unique in his or her own way, they are stories people can relate to.
"Some people like to listen to the music, but to
me, it's the story that is important," he elaborates, reflecting on
the matter of "Flatlander", the band's signature song.
I stand upon this land where I was born and
raised,
the faces changing but the names remain the same
But, his eyes still shine when he talks about how
things used to be
That was his time, not mine.
My son looks up to me. There's courage in his
eyes.
Corporate farms, that's the bottom line.
It's all so wrong, but they say it's right.
Now when your starving, pride won't fill you up,
so hold your head down and hold your hand out.
"The more I write, the more I find to write
about. Sometimes I can't get my ideas down quick enough," he
says, crediting Bruce LeBarre, vocalist, for his hand in smoothing out the
rough edges. "I sing the lines to him and he plays them back
like they should sound."
The sound is one that has caught the attention of a
leading publishing house in the US. The tune "2 A.M.",
recorded at the Mike Langois studio in Prince Albert, is now in the hands
of a salesperson who holds hope that it will be noticed by a Nashville
artist.
"Selling songs would be our ultimate goal, so our
emphasis is on songwriting, but we'll keep recording and playing,"
LeBarre predicted.
Nearing 85 years of combined musical experience, backed
by childhood years on the country dine and dance scene with their parents,
growing with the trials and tribulations of school, family and dance bands
in the Star City and Naicam areas, the band came into its own at the turn
of the new millennium and has since been playing Folk Fest and concert
venues. From the Star City Homecoming to the World Trade Centre
benefit in Saskatoon and back to the recent jamboree at the museum in
Tisdale, their stage is wherever people gather for whatever reason.
While the unpretentious sound captures the imagination
of audiences, the Pace Hill Band's style draws local talent into its
circle, a songwriting circle, which meets at Tkatchuk's home on a monthly
basis from fall through spring.
The informal atmosphere is a conduit for creativity,
providing an audience with whom songwriters, singers, and musicians can
explore directions and possibilities for their music. The band hopes
to expand on the idea this year with open mike nights, possibly at the
Star City curling club, where "original" will be the only rule.
In a more structured setting at Saskatchewan Recording
Industry workshops, Tkatchuk and LeBarre have taken the opportunity to
learn about the business of making music and connect with like-minded
musicians from farther afield.
Selling music and making music are very much one in the
same when charting a new course. "We're going for something
different, something that doesn't really fit into any other style,"
commented LeBarre. For him, that means looking at things from
different angles.
To Tkatchuk, it means telling it straight. He sees
a lot of similarities between the people of Saskatchewan, and those born
in the state of blue, Mississippi.
"We're all just hard working people getting by the
best we can, and there's so much musical talent when you take a look
around," he reflected through a musician's eyes that see a mix of
songs waiting to be told and stories waiting to be noted.
In Saskatchewan, that blend is called prairie blues: a
true blue from the pulse of the Pace Hill Band. |